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Cake day: June 15th, 2023

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  • I mean, it’s possible that the identity of the engineer isn’t restricted if there are no gnosia aboard, but the instant test result seems a lot more sketchy. Unless Levi is infected or otherwise problematic in the loops where gnosia are present, and this is how things are supposed to work. (Or maybe it’s a genuine writer-screw-up plothole.)







  • Trigun Stargaze - still more or less following the original story, so now we’re moving into Legato and the Gung-ho Guns (though I don’t think that name has been used for them, and I assume at least the cheesier ones from the original aren’t going to appear in this more serious reboot).

    Most of the Gung-Ho Guns in the first anime were taken from the Trigun and Trigun Maximum manga (the exceptions were Caine the Longshot, who was a pure anime-original, and Chapel the Evergreen, who had been mentioned but not depicted in the manga at the time, so the anime team created their own character design). So the rest of them—Midvalley, Zazie, and so on—may well show up in the rebooted anime.






  • Thing is, if Yuri says outright that one of the humans aboard is (in effect) a pathological liar, Yuri will probably be accused of being a gnosia making an inept attempt to sow dissent. It might not even be the ACF making that accusation, because it’s such an outlandish thing to say. If Yuri is voted out, then they’ve failed Yuriko’s test.

    As for Kukrushka, if she really is the Guardian Angel (there’s nothing that says she isn’t the ACF and lying about the other, technically), she might have chosen to protect Jonas on the first round, due to emotional attachment or something—we still don’t know what’s going on with those two.


  • Maybe it’s just confirmation bias on my part, but it just seems like these kinds of shows are more likely to actively receive bad reviews than be ignored, which is what happens to most of the stuff that I would judge as truly bad. Compare, for instance, Hell Mode, an utterly cliched isekai that’s also currently running and which I would say was more deserving of bad reviews, because its creator wouldn’t recognize an original idea if it bit them—not one word’s been said about it. Even Beheneko, which was an unapologetic brainless boobfest held together by a thin surface skin of plot, didn’t draw as many bad reviews here as Sentenced to be a Hero.

    Upon reflection, the answer might simply be that the people who are giving this one bad reviews watch a lot less trash than I do and therefore have a differently calibrated evaluation scale.