If my monsters are imagined, why do they trigger the motion sensor lights?
Yeah, no wonder. It’s been 16 years, and the basic premise just screams “ecchi”. I mostly remember it especially because of the gap between what you think this will be and what you actually get. Getting a heartwarming (and tame) romance story from the show about a girl who wants to fuck a hundred guys was surprising.
Sometimes, when you really think about a well-written story, you realize that literally the only reason the protagonists are seen as the good guys is that the story is written from their perspective, and that if the story was written from the opposite perspective, you’d believe the other side was the good guys.
You have to check out Zilbagias the Demon Prince: How the Seventh Prince Brought Down the Kingdom. This series is blurring those lines in such an interesting way.
From the “I can’t believe this isn’t hentai!?” end of the spectrum, I really enjoyed Interspecies Reviewers.
For something from the other end (let’s call it “Barely Ecchi” to go with the theme here), I would choose Agent AIKa. To me, Aika will always be a Best Girl contender.
But the real gems are found right in the middle: Keijo!!!, Shokugeki no Souma, Kill la Kill, Panty & Stocking with Garterbelt, Prison School, To LOVE Ru, … All real good shows in their own right, and you get to have fun seeing the prudes loose their shit online. Win-Win.
Given the premise, it was surprisingly tame. I would personally not consider it ecchi, and from what I remember, it was just a heartfelt romance show.
Okay, a 9-episode season. And even though they had 9 episodes for a single LN volume, they still stripped away a lot of what makes Nonna, Nonna. They focussed entirely on the romance between Victoria and Jeff and let all other characters fall flat. It’s okay if they want to go with this, I guess, but the second volume was one of my absolute favorites (not just in the series but in light novels in general), and I would LOVE to see it animated. The problem is that the second volume would heavily lean on Nonna, and the anime did not set her up to be who she needs to be. Anime Nonna is completely different from book Nonna, both from her personality as well as from her skillset.
We can serve this was well.
I had to check since I was certain I would recognize her. So PSA: this is only for the EN Dub.
I hope they invited her to her birthday party at the end.
I am strictly against remakes because in general they just shit on the original and kill the IP for me. But assuming we could guarantee that it’s a good remake then I would like to see:
That is what was said in the episode. Question is were those books “Rules of the empire” or “Black Magic for Dummies”. Both could have a warning about magic being forbidden.
Yuuki is the worst addition to the story that I had to drop the light novel at some point. I just couldn’t take this guy any longer. The only real question for me is which character kills a franchise more. Yuuki or Fuga from Realist Hero.
It’s one of those 3:
I don’t remember which one of those was actually the first (most likely Heidi or Maya, just going by the kid-friendliness), but all three are in my earliest core childhood memories.
I’m not overly concerned if the anime simply diverges from the LN a bit, but it at least needs to make sense by itself.
The problem is that you need intimate knowledge and deep understanding of the source material to make an adaptation into a different media. Whoever was in charge for this adaptation had neither. I would be surprised if they did more than quickly skimming the pages at best. They skimmed the scene in the replenishment hall and the word feystone might have stood out so they put it in, without understanding why the feystone would have been used there.
The story is a bit one-sided but should be entertaining enough for a anime season.
I hope that with the servant now in her court, this will change up the formula from “non-stop-malice towards MC/MC just happily tanking everything” to something else.
I can add to that. The composer, Christian Bruhn, has become the head of the organisation that fucks you over if you dare to use a snippet of music from one of their members. I had to deal with them over the years a couple of times. I’ve grown up with German Captain Future. The title score is still a core memory of mine. I’m not sure if it was the first anime I’ve ever seen, but it’s in the first 3. And then the composer heads a litigious shithole of a government organisation. Speak about going from hero to villain.
It adds an ironic aspect that was not at all present in this episode, and I think the book’s style was simply superior.
What’s angering me there is how this change makes the whole scene more sinister. In the source this was an important moment of calm that broke up all the looming dread and malice around Rozemyne. In the anime we see them being abducted and separated from the others which negates the intended “here, let’s have a relaxing and magical moment for MC mental wellbeing”. It’s just another instance of fucking WIT studio not understanding the source material.
I might post a bit more on the last episode’s thread, just in case they move some bits around in the anime and show them later, but the anime seems so far sanitized to move the needle further to the comfy/wholesome side.
I don’t think that is the appeal of CGDCT shows for the seinen audience. I think the appeal of CGDCT shows for the seinen demographic is the perceived innocence of girls. Not in the sense of “I’m a mindless, hormone-driven beast and want to ravage that innocent girl”, but in the sense of “I’m surrounded by constant anxiety, malice, and selfishness in my day-to-day life, and watching those innocent girls do whatever lets me forget this for 25 minutes”. Girls are generally perceived as nice and free of malice (before I had two of those myself, I thought the same), so that’s why there are no “cute boys doing cute things” shows. The general expectation for a show following boys would be for it to be more raunchy. Compare K-On! to Nijiiro Days, for example.